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Tutorial adobe premiere pro cc 2014 bahasa indonesia free
You can choose to display Premiere Pro's Start screen or display the files that you most recently opened. Bin behavior when double-clicking a bin, or double-clicking with the Shift or Option keys can be controlled in the Bins preference. Project behavior when double-clicking a project, or holding the Alt key while clicking a project.
To turn off the event notification pop-up window that appears in the lower right-corner of the user interface, deselect this preference. For more information, see Event notification.
When this option is turned on, Premiere Pro reads the ICC profile selected in your operating system and does a conversion to display colors perfectly on the monitor. Leave Color Management off if your screen matches the media on the timeline. This works well for Rec. Turning Color Management on is useful for scenarios where you want your display to reproduce the color appearance of the timeline on a reference monitor.
Premiere Pro does not color manage external transmit monitors hooked up through video cards from companies like AJA or Blackmagic. Configure that hardware outside Premiere Pro. Premiere Pro, however, does color manage a secondary computer monitor used as a transmit monitor. Enabling Display Color Management does not change the colors in your exported files.
It only manages the colors that you see displayed on your monitor. It is necessary so that you can accurately judge what the colors look like on a true Rec display HDTV for example. In the past, it was necessary to manually set your OS display profile to Rec to view accurate colors, and sometimes it was not possible.
Display color management takes the guesswork and displays correct colors no matter what ICC profile your display is set to in the OS.
For more information, see Color management in Premiere Pro. In the Appearance pane of the Preferences dialog box, you can set the overall brightness of the user interface. You can also control the brightness and saturation of the blue highlight color, interactive controls, and focus indicators. The Automatch Time preference specifies the time, in the Audio Mixer, for any control that has been adjusted to return to its previous setting.
Automatch Time preference affects properties in Touch mode, and in Read mode for effects with keyframes. Enables audio scrubbing. Using a keyboard shortcut is preferable to returning to the Preferences dialog box each time you want to turn audio scrubbing on or off.
Lets you maintain the audio pitch during scrubbing and playback while using the J,K,L keys. Selecting this preference helps improve the clarity of speech when playback is at a higher or slower than normal speed.
To let Premiere Pro automatically generate waveforms when importing audio, select this preference. To avoid showing audio waveforms, deselect this preference. To let Premiere Pro automatically renders audio previews whenever it renders video previews, select this preference. For more information, see Render audio when rendering video. Select this option if you experience audio dropouts during playback.
By default, this option is off. For example, if you are automating a fade from 0 dB to —12 dB. With this option selected, Premiere Pro creates keyframes only at the points that represent an increase in value from the beginning 0 dB and ending —12 dB keyframes. This option is selected by default. Creates keyframes only at intervals larger than the value you specify.
Enter a value from 1 through milliseconds. This preference lets you set the number of decibels to increase when using the Increase Clip Volume Many command. While sending clips to Audition, you can save these files in the scratch disk location, or next to the original media file.
When you connect an audio hardware device, the hardware settings for that device type, such as default input, default output, master clock, latency, and sample rate are loaded in this dialog box.
For example, the following screen shows the settings for a connected MME device Windows in which you can modify the default selections in properties:. The following image shows the preferences for low-latency CoreAudio devices that can support input-only, output-only, and full-duplex modes.
When you configure inputs and outputs for recording and playback, Adobe Premiere Pro can use these kinds of sound card drivers:. You can also monitor audio as you record it and instantly hear volume, pan, and effects changes during playback.
By default, Premiere Pro automatically saves your project every 15 minutes and retains the last five versions of the project file on the hard disk. You can revert to a previously saved version at any time. Archiving many iterations of a project consumes relatively little disk space because project files are much smaller than source video files. Archived files are saved in the Premiere Pro Auto-Save folder. Enter the number of versions of a project file you want to save.
For example, if you type 10, Premiere Pro saves the ten most recent versions. When you specify auto-save to occur at regular intervals, Premiere Pro auto-saves a project on detecting changes to the project file.
The auto-save occurs irrespective of whether you manually save the changes to the project or not. Earlier, Premiere Pro would not execute auto-save if you manually saved within the interval setting. If the system goes idle for a period beyond the interval setting, Premiere Pro forces an auto-save.
To let Premiere Pro auto-save your projects directly to your Creative Cloud-based storage, select this preference. When Premiere Pro auto-saves a project, a directory named "auto-save" is created in your Creative Cloud online storage. All the backed-up projects are stored in the "auto-save" directory. You can access your backed-up projects from the Files tab of your Creative Cloud desktop application.
Or you can access the files from your Creative Cloud account on the Web. When this setting is enabled, Auto Save creates an archived copy of your current projects, but also saves the current working project. This setting is off by default. When an auto save occurs, Premiere Pro creates a new backup project file and adds it to the auto-save folder as an emergency project backup. This file is always the latest saved version of that project.
Here are some of the characteristics of the emergency back project file:. Controls how Premiere Pro transfers video and audio directly from a deck or camera. None of the other project settings options affect capturing. The contents of this panel depend on the editing mode. More capture formats and options appear if you install other software, such as software included with a capture card certified to be compatible with Premiere Pro. It is because the assets are captured and recorded directly to the P2 card as digital files by the camera.
In the Control Surface panel of the Preferences dialog, you can configure your hardware control device. The Edit, Add, and Remove buttons let you add, edit, or remove control surfaces in your configuration. Under Device Class, click Add to select the device. Or you can add both. For more information on using control surface controls with Premiere Pro, see Control surface support. You can set the following preferences for working with the Essential Graphics panel.
All changes take effect the next time you create a text layer. If you need Ligature support, select Ligatures. If you want support for Hindi numerals, select Hindi Digits.
You can also choose if you want the text to flow left to right or right to left. You can define a custom replacement font in the Graphics tab. This font is set as the default font when the fonts in a Motion Graphics Template cannot be synced. In the Label Colors section, you can change the default colors and color names.
You can label assets with these colors and color names in the Project panels. In the Label Defaults section, you can change the default colors assigned to bins, sequences, and different types of media. Specifies whether Premiere Pro shows the original timecode imported clips, or assigns new timecode to them, starting at Specifies whether Premiere Pro assigns a 0, or a 1 to the first frame of an imported clip, or assigns a number by timecode conversion.
To specify whether you want to Scale to frame size or Set to frame size , set this media preference. To specify where you want Premiere Pro to save clip marker, set this option. If you select this option, clip markers are saved with the media file. If you turn off this option, clip markers are saved in the Premiere Pro project file. To link clip metadata to XMP metadata, so that changing one changes the other, select this check box.
To detect and automatically import embedded closed caption data in an embedded closed caption file, select this check box. Deselect this check box to not import embedded captions, which helps save time while importing. If you want Premiere Pro to automatically switch to displaying the proxy video in the timeline after a proxy job is complete, select this option.
If you want to allow duplicate media while importing a project, select this option. Deselect this option if you don't want multiple copies while importing.
When you select this option, Premiere Pro hides the master clips when dragging in a sequence from another project. The preference allows users to opt whether Premiere automatically refreshes as they grow, and if so, how frequently.
This preference allows you to edit with these files in your project immediately. By default, this preference is enabled. If you want H. This option is dimmed if your system does not support this feature.
For more information, see Hardware acceleration system requirements. The Media Cache is where Premiere Pro stores accelerator files, including peak files. Premiere Pro. Clearing old or unused media cache files can help maintain optimal performance. Deleted cache files are recreated whenever source media requires them. In the Memory pane of the Preferences dialog box, you can specify the amount of RAM reserved for other applications, and for Premiere Pro. Some sequences, such as those containing high-resolution source video or still images, require large amounts of memory for the simultaneous rendering of multiple frames.
In these cases, you can maximize the available memory by changing the Optimize Rendering For preference from Performance to Memory. Change this preference back to Performance when rendering no longer requires memory optimization. In the Playback pane of the Preferences dialog box, you can select the default player for audio or video, and set preroll and postroll preferences.
You can also access device settings for third-party capture cards. You can choose the default player for your computer, or a third-party plug-in player for Premiere Pro. Third-party players are installed with some capture cards.
Preroll: The number of seconds before an edit point when playing back footage for several editing functions. Postroll: The number of seconds after an edit point when playing back footage for several editing functions. The default is set to ten frames. Pause Media Encoder queue during playback: Pauses the encoding queue in Adobe Media Encoder when you are playing back a sequence or a project in Premiere Pro.
If a third-party capture card is installed, click the Settings button to access the Mercury Transmit dialog box for video formats, and pixel formats. A check box is available for disabling video output when in the background. When you work with Premiere Pro on multiple machines, managing and syncing preferences, presets, and libraries between them can be time-consuming, complex, and error prone.
The new Sync Settings feature lets you sync your general preferences, keyboard shortcuts, presets, and libraries to the Creative Cloud. Retrieved August 25, Post Magazine. Archived from the original on December 31, Retrieved March 14, Adobe Photoshop Elements tutorials". Retrieved April 26, Adobe Inc. Retrieved February 10, Retrieved September 26, Retrieved November 15, Adobe forum chat". Retrieved January 16, Retrieved October 15, Adobe Blog".
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Views Read Edit View history. Help Learn to edit Community portal Recent changes Upload file. Download as PDF Printable version. Wikimedia Commons. September 23, ; 18 years ago Full rewrite of code Deep nest of timelines New Color Correctors Sample level audio editing Audio effects on tracks 5.
Warp Stabilizer [17]. October 19, [19] [ better source needed ]. October 15, [20]. Selective color grading Display color management Intelligent audio cleanup Add, rename, and edit Lumetri instances Premiere Rush files editable in Premiere Pro Edit and transform vector graphics Essential Graphics and Motion Graphics template enhancements Better integration with other Adobe programs and functions Performance enhancement and new file format support, including Australian closed-captioning standard New home screen Auto-save improvements Quick timecode entry [20].
Eraldicon [21] [ better source needed ]. Many fixes [22].
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